Marzipan – Masapan – a beautiful additional for Pesah

“Masapan”……marzipan….that delicious sweet that our mothers lovingly make for engagements, weddings, a brit milan or a Bar (and today even a Bat) Mitzvah.  Basically a homemade almond confection made with ground almonds and sugar, Marzipan traces it’s origin to …..well….that depends.  Some say the Persian empire, introduced to Europe by the Turks;  others claim the origin to be Spain.  In any case, it got to us, was a delicacy on our beloved Island of Rhodes, and our grandmothers brought it here with them when they came to these shores.  

While some in Eastern Europe talk of marzipan being colored and fashioned into miniature fruit-like shapes, our variation is kept in it’s white, pure state, made into a simple design  –    A very special variety is shaped into a ‘pastelico’ like  cup and filled with rosewater or orange blossom scented ‘shroupe’, capped and artfully edged….a treat for the senses!

My mother, Kaye Hasson Israel, uses a recipe shared with her by Rebecca Levy. I’ve watched her make it. It’s a lovely addition to a Pesah sweet table.

Here is the recipe and photos. This recipe makes about 125 pieces of masapan.

6 C almonds

3 C sugar

4 C water

Start with raw almonds.    To blanche, bring a pot of water to a boil. ( enough water to cover the almonds).  When water boils, add almonds and leave them in for 4 to 5 minutes (until skin is loose).

Rinse in a colander with cold water.  Remove the skins from the almonds and place almonds into a bowl of cold water ( to prevent discoloration).

Take a clean towel and dry almonds thoroughly.

Put almonds into food processor with blade.

Grind to a fine texture.

In the meantime, mix sugar and water and heat over medium/high flame. Make sure sugar dissolves. Bring to a boil. This is to make a sticky syrup. Stir and watch carefully so it does not discolor or burn.

Test for correct stickiness by removing spoon from pot, allow it to cool a bit, placing a drop on your fingers and noting a ‘thread’ of sugar when pressing then pulling apart finger and thumb.

At this point, lower the heat and add ground almonds.  Thoroughly  blend and constantly stir mixture.   Cook and stir masapan until it reaches a dough-like consistency. ( it will cleanly leave the sides and bottom of the pan).   Remove from heat and allow to thoroughly cool

Once cooled, knead on your rolling surface to create a smooth dough.  Pinch off small portions and roll into a long strip.  (Perhaps cut into 10 – 12 portions before rolling).

Keep a bowl of water handy.  Dampen your rolling surface and hands, as it will make it easier to roll out.  Cut at an angle into diamond shaped pieces.

Our tradition has been to top with a decorative silver ball ( dragees ). These are for decoration and not to be consumed.

For engagements, our tradition has been to make a “mano” (hand) fashioned out of masapan, with silver dragees across the ring finger.  This is fashioned on a tray, surrounded by cut pieces of masapan, jordan almonds and often, a gold leafed piece of ‘aruda’ ( the rue plant).

Like all our delicacies, masapan takes a bit of practice.  And the results are divine!  Enjoy for your special celebrations…and for a special Passover treat!

Bendichas manos!

Masa di Vino (Passover Wine Cookies)

Each holiday has it’s special flavors and textures.  One of the special treats we prepare for Pesah is “masa di vino”, a wine cookie with a delightful and unique taste and texture.  They are easy to make and freeze well.  My cousin, Leon Hasson, has become our ‘Go To’ guy for these treats……he has the recipe down pat to produce a crispy, flavorful cookie. Give them a try!

Ingredients:

1 C oil

3/4 C sweet wine

3/4 C sugar

1 egg

2 C Passover cake meal

1 C chopped nuts (optional)

1/2 C Passover potato starch

Mix sugar, oil and wine well.  Add egg and dry ingredients.

Take walnut sized pieces of dough. Roll into a ball.  Place on a parchment lined cookie sheet.

Flatten by hand. With tines of a fork, press each cookie to produce a design.

Bake at 350 degrees for 30 minutes.

Enjoy!

Bendichas Manos!!!!

The Blessing of Bibhilu….in the Moroccan Tradition

My cousin Avi introduced the ‘Bibhilu’ to our Passover Seder, a beautiful Moroccan tradition which Rabbi Daniel Bouskila explains in an article in the Jewish Journal a few years ago.  It is so deep and rich with meaning, so beautiful, that I am printing that story here (the link no longer seems to work.)

How beautiful and woven with richness is our tradition!   May we all have opportunities to share these traditions and always add new ones to our families, as well!

Pesah blessings, my friends!

The Jewish Journal
April 21, 2005
The Blessing of Bibhilu

A Sephardic ritual calls attention to God’s place at the seder table.

BY RABBI DANIEL BOUSKILA

http://www.jewishjournal.com/articles/item/the_blessing_of_bibhilu_20050422/
A book’s opening chapter is crucial to setting the mood and aura for the remainder of the book’s journey. Likewise, the opening scene of a film usually helps set the tone for what will ensue.

The Passover seder is both a reader’s experience and a moviegoer’s. We sit around the table and read the haggadah, and we also witness a host of rituals. But how does the seder leader creatively capture an audience and draw it into the experience from the beginning?

My father is neither novelist nor screenwriter, but from childhood he exposed me to a Moroccan seder ritual that immediately drew all those around the table into the full experience of a seder. This ritual is affectionately known amongst Moroccans as Bibhilu.

Following the kiddush, the karpas, and the yahatz (division of the matzah), the leader takes the brass seder plate, adorned with all of the ritual items, and he begins to walk around the table, waving the seder plate over each person’s head. As the plate is being waved, the entire gathering at the seder chants in unison: “Bibhilu yatsanu mimitsrayim” (“In a hurry we left Egypt”). When my father did this, each of us wondered whether he would simply wave the plate above our heads or knock us over the head with it. This ritual created lots of positive energy — between the anticipation of your turn under the plate and the chanting in unison of Bibhilu.

Yes, it’s a lot of fun. But is there a deeper spiritual meaning, or is this ritual simply some gimmick meant to create excitement among those who might be otherwise bored?

Throughout my life, I have always celebrated the seder in Moroccan fashion, Bibhilu and all. But only a few years ago did I first see a Moroccan haggadah.

At the beginning, there was, as in all haggadot, a drawing of the seder plate, illustrating the placement of each ritual item, which generally followed the Sephardic tradition. I had always known that Sephardic Jews arrange the seder plate differently than Ashkenazim, but again, I never knew why.

The Sephardic pattern, I knew, derives from tradition attributed to the great kabbalist from Safed known as the Ari (Rabbi Isaac Luria). In this haggadah, the drawing not only reflected the Ari’s Sephardic arrangement, but it added something that I had never seen, something which suddenly tied together for me the logic behind the Sephardic arrangement, and the reason behind the Moroccan Bibhilu ritual. Next to each ritual item on the plate was written one of the 10 kabbalistic sefirot, the mystical dimensions describing the sacred attributes of God. The three matzahs correspond to keter (crown), chochmah (wisdom) and binah (understanding); the shank bone corresponds to hesed (kindness); the egg corresponds to gevurah (strength); the bitter herbs correspond to tiferet (beauty); the charoset corresponds to netzach (victory), the karpas corresponds to hod (splendor), the hazeret corresponds to yesod (foundation); and the seder plate itself represents malchut (kingship).

It suddenly dawned upon me that, with this mystical arrangement, the seder plate is no longer just a platter carrying a selection of ritual items. The Ari’s Sephardic arrangement transformed the seder plate into a sacred representation of God, which means that when the seder plate is waved above your head during Bibhilu, you are being blessed by the spiritual strength of the Shekhina. The body of God, as represented by the sefirot, is now being waved above your head, and for the rest of the evening, the presence of the seder plate on the table represents the presence of the Shekhina in your midst.

From then on the Bibhilu ritual suddenly meant a lot more to me, because I now understood that, in addition to drawing in the audience, the Bibhilu ritual also represented a spiritual blessing for each participant as he or she prepares to set off on the haggadah’s storytelling journey from slavery to freedom.

As an American Jew raised in a Moroccan Jewish home, the Bibhilu ritual will always be part of my life. Having experienced it from childhood, and now coming full circle to understand its meaning, I will always look at the seder plate as a source of blessing and sanctity throughout the evening. Whether you are Moroccan or not, this ritual can become a powerful way to help infuse your seder with a newfound spiritual depth.

As it turns out, my father is now in a wheelchair, so he has transferred this privilege and responsibility to me. And yes, after all of those years under the seder plate, it’s lots of fun banging my father over the head while we all chant Bibhilu.

Daniel Bouskila is rabbi at Sephardic Temple Tifereth Israel.
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