*A note about our Posts. Often you will see some words in a different color, perhaps the name of a song, the name of a food or of a specific ritual. It is usually a “link.” If you click on it, it will take you to a recording of that song, a recipe for that food or an explanation of that ritual. If you haven’t yet, give it a try! It enriches the experience. Example: Yehoram Goan’s ‘Ken Su Piense.’ (as a side note: you can purchase the entire album of Yehoram Gaon singing some of the Pesah favorites in Ladino on CD by contacting Hatikvah Music at Klezcorner@aol.com)

Cooking time!

As we begin to prepare for Pesah, it’s time to pull out the favorite family recipes, those familiar dishes that bind generations together, remind us of our connectedness…..brings us back to the familiar.  One of the staples of our seder meal is a megina, sometmes refered to as ‘mina,’ or a ‘meat quajado.’

My mom’s is made with crumbled matzah mixed in giving it a meat casserole- like consistency once cooked and able to be cut into and served in squares. The ‘mina’ version is often made with layers of soaked and softened matzahs and constructed more like a meat lasagna. I am sharing the recipe as my mom makes it for our family and as she has taught it in community cooking classes. This is one of those dishes you can customize to your liking, adding different spices for a differnt flair ( think cumin or ‘ras el hanut,’ diced peppers or even cilantro instead of parsley, to name a few).  This version is made with ground beef, although ground turkey or ground chicken could be substituted. Let us know what you think!

My Mom’s (Kaye Israel) Recipe for Passover ‘Megina’ (meat casserole) {sometimes called Quajado de Carne or Mina}

As one of my friends points out, anytime you start with sautéed onions and meat……how can you go wrong?

2 C chopped onions
2 lbs ground meat
2 tblsp oil
1/2 tsp pepper (to taste)
1 tblsp salt
1/4 c parsley, chopped
8 – 10 eggs
1 C farfel (soaked in warm water, and squeezed dry) or 4 sheets matzah (soaked in warm water, squeezed dry and crumbled)
touch of red pepper flakes (optional)

Brown onions in oil.

Add meat and continue to brown.

Transfer to bowl and allow to cool. Add salt, pepper, parsley and farfel (or matzah). Add 2 beaten eggs at a time until eggs are mixed in.

Grease 9 x 13 inch pan (pyrex type) and heat in oven for 2 – 3 minutes. Pour mixture into pan.

Bake at 400 degrees for 30 minutes or until golden brown. Allow to cool. Cut into squares and serve. Delish!!!!

We serve this as part of our holiday meal.  It’s also a staple during the week. Easy to cut a square for lunch and serve with a light salad for lunch or easy dinner.   Easy to transport for those who need to take a lunch to work or school. (I have one cousin who looks forward to megina each year with cranberry sauce on the side. I know, they didn’t have cranberries in Rhodes. That’s how we create new traditions!) Enjoy it!   Make it your own!

~Bendichas Manos

My cousin Avi introduced the ‘Bibhilu’ to our Passover Seder, a beautiful Moroccan tradition which Rabbi Daniel Bouskila explains in an article in the Jewish Journal a few years ago.  It is so deep and rich with meaning, so beautiful, that I am printing that story here (the link no longer seems to work.)

How beautiful and woven with richness is our tradition!   May we all have opportunities to share these traditions and always add new ones to our families, as well!

Pesah blessings, my friends!

The Jewish Journal
April 21, 2005
The Blessing of Bibhilu

A Sephardic ritual calls attention to God’s place at the seder table.

BY RABBI DANIEL BOUSKILA

http://www.jewishjournal.com/articles/item/the_blessing_of_bibhilu_20050422/
A book’s opening chapter is crucial to setting the mood and aura for the remainder of the book’s journey. Likewise, the opening scene of a film usually helps set the tone for what will ensue.

The Passover seder is both a reader’s experience and a moviegoer’s. We sit around the table and read the haggadah, and we also witness a host of rituals. But how does the seder leader creatively capture an audience and draw it into the experience from the beginning?

My father is neither novelist nor screenwriter, but from childhood he exposed me to a Moroccan seder ritual that immediately drew all those around the table into the full experience of a seder. This ritual is affectionately known amongst Moroccans as Bibhilu.

Following the kiddush, the karpas, and the yahatz (division of the matzah), the leader takes the brass seder plate, adorned with all of the ritual items, and he begins to walk around the table, waving the seder plate over each person’s head. As the plate is being waved, the entire gathering at the seder chants in unison: “Bibhilu yatsanu mimitsrayim” (“In a hurry we left Egypt”). When my father did this, each of us wondered whether he would simply wave the plate above our heads or knock us over the head with it. This ritual created lots of positive energy — between the anticipation of your turn under the plate and the chanting in unison of Bibhilu.

Yes, it’s a lot of fun. But is there a deeper spiritual meaning, or is this ritual simply some gimmick meant to create excitement among those who might be otherwise bored?

Throughout my life, I have always celebrated the seder in Moroccan fashion, Bibhilu and all. But only a few years ago did I first see a Moroccan haggadah.

At the beginning, there was, as in all haggadot, a drawing of the seder plate, illustrating the placement of each ritual item, which generally followed the Sephardic tradition. I had always known that Sephardic Jews arrange the seder plate differently than Ashkenazim, but again, I never knew why.

The Sephardic pattern, I knew, derives from tradition attributed to the great kabbalist from Safed known as the Ari (Rabbi Isaac Luria). In this haggadah, the drawing not only reflected the Ari’s Sephardic arrangement, but it added something that I had never seen, something which suddenly tied together for me the logic behind the Sephardic arrangement, and the reason behind the Moroccan Bibhilu ritual. Next to each ritual item on the plate was written one of the 10 kabbalistic sefirot, the mystical dimensions describing the sacred attributes of God. The three matzahs correspond to keter (crown), chochmah (wisdom) and binah (understanding); the shank bone corresponds to hesed (kindness); the egg corresponds to gevurah (strength); the bitter herbs correspond to tiferet (beauty); the charoset corresponds to netzach (victory), the karpas corresponds to hod (splendor), the hazeret corresponds to yesod (foundation); and the seder plate itself represents malchut (kingship).

It suddenly dawned upon me that, with this mystical arrangement, the seder plate is no longer just a platter carrying a selection of ritual items. The Ari’s Sephardic arrangement transformed the seder plate into a sacred representation of God, which means that when the seder plate is waved above your head during Bibhilu, you are being blessed by the spiritual strength of the Shekhina. The body of God, as represented by the sefirot, is now being waved above your head, and for the rest of the evening, the presence of the seder plate on the table represents the presence of the Shekhina in your midst.

From then on the Bibhilu ritual suddenly meant a lot more to me, because I now understood that, in addition to drawing in the audience, the Bibhilu ritual also represented a spiritual blessing for each participant as he or she prepares to set off on the haggadah’s storytelling journey from slavery to freedom.

As an American Jew raised in a Moroccan Jewish home, the Bibhilu ritual will always be part of my life. Having experienced it from childhood, and now coming full circle to understand its meaning, I will always look at the seder plate as a source of blessing and sanctity throughout the evening. Whether you are Moroccan or not, this ritual can become a powerful way to help infuse your seder with a newfound spiritual depth.

As it turns out, my father is now in a wheelchair, so he has transferred this privilege and responsibility to me. And yes, after all of those years under the seder plate, it’s lots of fun banging my father over the head while we all chant Bibhilu.

Daniel Bouskila is rabbi at Sephardic Temple Tifereth Israel.
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